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Photo © Manifesta 1",850,566,{"xsmall":916,"thumbnail":921},{"ext":733,"url":917,"hash":918,"mime":736,"name":919,"path":66,"size":920,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_04_ex_1_a_287218c417.png","xsmall_A_M1_04_ex_1_a_287218c417","xsmall_A.M1.04.ex.1.a.png",136.34,{"ext":733,"url":922,"hash":923,"mime":736,"name":924,"path":66,"size":925,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_04_ex_1_a_287218c417.png","thumbnail_A_M1_04_ex_1_a_287218c417","thumbnail_A.M1.04.ex.1.a.png",84.89,"A_M1_04_ex_1_a_287218c417",325.99,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_04_ex_1_a_287218c417.png","2023-12-01T11:38:35.473Z","2023-12-01T11:39:25.231Z",{"en-US":912},"ztc6f1vtoycdljujxebbbrom",[934],{"id":935,"nationality":471},1366,[],{"sortKey":907,"id":138,"documentId":139,"names":140,"collectiveName":66,"annotation":66,"richText":938,"locale":8,"images":939,"nationalities":984,"localizations":988},"\u003Cp>Working with architect Einar Thorsteinn, the Icelandic artist Olafur Eliasson produced a ready-made dome made of white pentagonal and hexagonal fibreglass panels, originally designed for the exploitation of geothermal energy in Iceland. Inside the dome a fountain pumping jets of water was rhythmically lit by a stroboscope from the former German Democratic Republic, so that the bursts of water appeared to freeze in ever-changing formations.  \u003C\u002Fp>",[940,963],{"id":350,"name":941,"alternativeText":66,"caption":942,"width":943,"height":944,"formats":945,"hash":956,"ext":733,"mime":736,"size":957,"url":958,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":959,"updatedAt":960,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":961,"documentId":962,"publishedAt":755},"A.M1.06.ex.03.png","Olafur Eliasson, Show me, by means of sudden intuitive realization, your perception of the presence, 1996. Photo © Manifesta 1 \u002F Jannes Linders",780,520,{"xsmall":946,"thumbnail":951},{"ext":733,"url":947,"hash":948,"mime":736,"name":949,"path":66,"size":950,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_06_ex_03_ec446e9e6f.png","xsmall_A_M1_06_ex_03_ec446e9e6f","xsmall_A.M1.06.ex.03.png",159.23,{"ext":733,"url":952,"hash":953,"mime":736,"name":954,"path":66,"size":955,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_06_ex_03_ec446e9e6f.png","thumbnail_A_M1_06_ex_03_ec446e9e6f","thumbnail_A.M1.06.ex.03.png",97.37,"A_M1_06_ex_03_ec446e9e6f",332.1,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_06_ex_03_ec446e9e6f.png","2023-12-01T13:13:24.056Z","2023-12-01T13:14:10.596Z",{"en-US":942},"d66i9pcink28u9sd5yzubdwu",{"id":964,"name":965,"alternativeText":66,"caption":942,"width":943,"height":944,"formats":966,"hash":977,"ext":733,"mime":736,"size":978,"url":979,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":980,"updatedAt":981,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":982,"documentId":983,"publishedAt":755},1987,"A.M1.06.ex.02.png",{"xsmall":967,"thumbnail":972},{"ext":733,"url":968,"hash":969,"mime":736,"name":970,"path":66,"size":971,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_06_ex_02_0377d87795.png","xsmall_A_M1_06_ex_02_0377d87795","xsmall_A.M1.06.ex.02.png",160.45,{"ext":733,"url":973,"hash":974,"mime":736,"name":975,"path":66,"size":976,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_06_ex_02_0377d87795.png","thumbnail_A_M1_06_ex_02_0377d87795","thumbnail_A.M1.06.ex.02.png",98.23,"A_M1_06_ex_02_0377d87795",309.29,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_06_ex_02_0377d87795.png","2023-12-01T13:13:31.911Z","2023-12-01T13:14:15.037Z",{"en-US":942},"ip569ukmbyy75bxix3p7l9p8",[985],{"id":986,"nationality":987},1377,"IS",[],{"sortKey":907,"id":170,"documentId":171,"names":172,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":990,"nationalities":1013,"localizations":1017},[991],{"id":992,"name":993,"alternativeText":66,"caption":994,"width":944,"height":943,"formats":995,"hash":1006,"ext":733,"mime":736,"size":1007,"url":1008,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1009,"updatedAt":1010,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1011,"documentId":1012,"publishedAt":755},1985,"unknown01 El-Hassan.png","Installation view, Róza El-Hassan. Photo © Manifesta 1 Rotterdam",{"xsmall":996,"thumbnail":1001},{"ext":733,"url":997,"hash":998,"mime":736,"name":999,"path":66,"size":1000,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_unknown01_El_Hassan_92c8aedfb2.png","xsmall_unknown01_El_Hassan_92c8aedfb2","xsmall_unknown01 El-Hassan.png",131.76,{"ext":733,"url":1002,"hash":1003,"mime":736,"name":1004,"path":66,"size":1005,"width":384,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_unknown01_El_Hassan_92c8aedfb2.png","thumbnail_unknown01_El_Hassan_92c8aedfb2","thumbnail_unknown01 El-Hassan.png",38.08,"unknown01_El_Hassan_92c8aedfb2",308.57,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Funknown01_El_Hassan_92c8aedfb2.png","2023-12-01T13:10:46.869Z","2023-12-01T13:11:53.582Z",{"en-US":994},"td4lgkgpdke5cbdp6h87zpo2",[1014],{"id":1015,"nationality":1016},1386,"HU",[],{"sortKey":907,"id":142,"documentId":143,"names":144,"collectiveName":66,"annotation":66,"richText":1019,"locale":8,"images":1020,"nationalities":1075,"localizations":1079},"\u003Cp>Installation at Huis Boevé, Villa Museumpark 9\u003C\u002Fp>\u003Cp>This site-specific installation by Turkish artist Ayse Erkmen consisted of the text \"Oh, what a nicehouse! 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A pulsing bulb translated the artist’s heartbeat into a visible message that communicated the artist’s reactions, such as when he became excited, through the pulsing of the light. This installation was a perfect example of a transdisciplinary commissioned project combining art, science and technology.\u003C\u002Fp>",[1111,1133],{"id":1112,"name":1113,"alternativeText":66,"caption":1114,"width":730,"height":729,"formats":1115,"hash":1126,"ext":733,"mime":736,"size":1127,"url":1128,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1129,"updatedAt":1130,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1131,"documentId":1132,"publishedAt":755},1988,"A.M1.09.ex.2.a.png","Vadim Fishkin, Lighthouse, 1996 © Manifesta 1 \u002F Jannes Linders",{"xsmall":1116,"thumbnail":1121},{"ext":733,"url":1117,"hash":1118,"mime":736,"name":1119,"path":66,"size":1120,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_09_ex_2_a_fd486ee888.png","xsmall_A_M1_09_ex_2_a_fd486ee888","xsmall_A.M1.09.ex.2.a.png",148.34,{"ext":733,"url":1122,"hash":1123,"mime":736,"name":1124,"path":66,"size":1125,"width":384,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_09_ex_2_a_fd486ee888.png","thumbnail_A_M1_09_ex_2_a_fd486ee888","thumbnail_A.M1.09.ex.2.a.png",42.16,"A_M1_09_ex_2_a_fd486ee888",225.44,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_09_ex_2_a_fd486ee888.png","2023-12-01T13:15:38.018Z","2023-12-03T08:44:21.686Z",{"en-US":1114},"goxlnobw90bviojahwt45bah",{"id":1134,"name":1135,"alternativeText":66,"caption":1114,"width":729,"height":730,"formats":1136,"hash":1147,"ext":733,"mime":736,"size":1148,"url":1149,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1150,"updatedAt":1151,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1152,"documentId":1153,"publishedAt":755},1989,"A.M1.09.ex.1.a.png",{"xsmall":1137,"thumbnail":1142},{"ext":733,"url":1138,"hash":1139,"mime":736,"name":1140,"path":66,"size":1141,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_09_ex_1_a_ba56f47849.png","xsmall_A_M1_09_ex_1_a_ba56f47849","xsmall_A.M1.09.ex.1.a.png",156.03,{"ext":733,"url":1143,"hash":1144,"mime":736,"name":1145,"path":66,"size":1146,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_09_ex_1_a_ba56f47849.png","thumbnail_A_M1_09_ex_1_a_ba56f47849","thumbnail_A.M1.09.ex.1.a.png",95.32,"A_M1_09_ex_1_a_ba56f47849",234.75,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_09_ex_1_a_ba56f47849.png","2023-12-01T13:15:38.519Z","2023-12-01T13:16:36.074Z",{"en-US":1114},"o97waztwb1cetshwb8pl6tn1",[1155],{"id":1156,"nationality":559},1411,[],{"sortKey":1108,"id":146,"documentId":147,"names":148,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":1159,"localizations":1162},[1160],{"id":1161,"nationality":545},1439,[],{"sortKey":1164,"id":158,"documentId":159,"names":160,"collectiveName":66,"annotation":66,"richText":1165,"locale":8,"images":1166,"nationalities":1209,"localizations":1212},"g","\u003Cp>Installation at Centrum Beeldende Kunst Rotterdam \u002F Villa Ackermann\u003Cbr>\u003Cbr>This collaboration between Scottish artist Douglas Gordon and Thai artist Rirkrit Tiravanija was implemented in a squatted hotel in Witte de Withstraat. Tiravanija’s furniture design was linked to a series of film presentations by Gordon, composed of films censored by the Dutch authorities in the 1920s and 1930s. Visitors were invited to watch these films sitting on beanbags and enjoying drinks in a bar designed by Tiravanija.\u003C\u002Fp>",[1167],{"id":1168,"name":1169,"alternativeText":66,"caption":1170,"width":1025,"height":1026,"formats":1171,"hash":1202,"ext":1029,"mime":1032,"size":1203,"url":1204,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1205,"updatedAt":1206,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1207,"documentId":1208,"publishedAt":755},1841,"000042.jpg","Douglas Gordon and Rirkrit Tiravanija, Cinema Liberté & Bar lounge, 1996. © Manifesta 1 \u002F Jannes Linders ",{"large":1172,"small":1177,"medium":1182,"xlarge":1187,"xsmall":1192,"thumbnail":1197},{"ext":1029,"url":1173,"hash":1174,"mime":1032,"name":1175,"path":66,"size":1176,"width":1035,"height":1036},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Flarge_000042_d079f5e6ea.jpg","large_000042_d079f5e6ea","large_000042.jpg",730.83,{"ext":1029,"url":1178,"hash":1179,"mime":1032,"name":1180,"path":66,"size":1181,"width":880,"height":1042},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fsmall_000042_d079f5e6ea.jpg","small_000042_d079f5e6ea","small_000042.jpg",139.43,{"ext":1029,"url":1183,"hash":1184,"mime":1032,"name":1185,"path":66,"size":1186,"width":1022,"height":1048},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fmedium_000042_d079f5e6ea.jpg","medium_000042_d079f5e6ea","medium_000042.jpg",460.1,{"ext":1029,"url":1188,"hash":1189,"mime":1032,"name":1190,"path":66,"size":1191,"width":1054,"height":1055},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxlarge_000042_d079f5e6ea.jpg","xlarge_000042_d079f5e6ea","xlarge_000042.jpg",1188.99,{"ext":1029,"url":1193,"hash":1194,"mime":1032,"name":1195,"path":66,"size":1196,"width":739,"height":1061},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_000042_d079f5e6ea.jpg","xsmall_000042_d079f5e6ea","xsmall_000042.jpg",20.52,{"ext":1029,"url":1198,"hash":1199,"mime":1032,"name":1200,"path":66,"size":1201,"width":893,"height":1067},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_000042_d079f5e6ea.jpg","thumbnail_000042_d079f5e6ea","thumbnail_000042.jpg",238.69,"000042_d079f5e6ea",1387.84,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002F000042_d079f5e6ea.jpg","2023-11-22T10:39:13.751Z","2023-12-03T08:35:41.562Z",{"en-US":1170},"sbgheku0jzcg9penvu39zd6z",[1210],{"id":1211,"nationality":842},1461,[],{"sortKey":1164,"id":162,"documentId":163,"names":164,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":1214,"nationalities":1237,"localizations":1240},[1215],{"id":1216,"name":1217,"alternativeText":66,"caption":1218,"width":944,"height":943,"formats":1219,"hash":1230,"ext":733,"mime":736,"size":1231,"url":1232,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1233,"updatedAt":1234,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1235,"documentId":1236,"publishedAt":755},1995,"A.M1.16.ex.1.png","Installation view, Dmitri Gutov. Photo © Manifesta 1 Rotterdam",{"xsmall":1220,"thumbnail":1225},{"ext":733,"url":1221,"hash":1222,"mime":736,"name":1223,"path":66,"size":1224,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_16_ex_1_75f705fd14.png","xsmall_A_M1_16_ex_1_75f705fd14","xsmall_A.M1.16.ex.1.png",131.41,{"ext":733,"url":1226,"hash":1227,"mime":736,"name":1228,"path":66,"size":1229,"width":384,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_16_ex_1_75f705fd14.png","thumbnail_A_M1_16_ex_1_75f705fd14","thumbnail_A.M1.16.ex.1.png",35.97,"A_M1_16_ex_1_75f705fd14",305.35,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_16_ex_1_75f705fd14.png","2023-12-01T13:34:41.914Z","2023-12-01T13:35:36.609Z",{"en-US":1218},"gbh0ukbm0r0uj87rfht3uoe5",[1238],{"id":1239,"nationality":559},1474,[],{"sortKey":1164,"id":150,"documentId":151,"names":152,"collectiveName":66,"annotation":66,"richText":1242,"locale":8,"images":1243,"nationalities":1291,"localizations":1294},"\u003Cp>In this installation the German artist Tamara Grcic explored the tension between nature and culture. 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Photo © Manifesta 1 Rotterdam",{"xsmall":1398,"thumbnail":1403},{"ext":733,"url":1399,"hash":1400,"mime":736,"name":1401,"path":66,"size":1402,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_17_ex_1_a_277c63f3d6.png","xsmall_A_M1_17_ex_1_a_277c63f3d6","xsmall_A.M1.17.ex.1.a.png",135.14,{"ext":733,"url":1404,"hash":1405,"mime":736,"name":1406,"path":66,"size":1407,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_17_ex_1_a_277c63f3d6.png","thumbnail_A_M1_17_ex_1_a_277c63f3d6","thumbnail_A.M1.17.ex.1.a.png",82.81,"A_M1_17_ex_1_a_277c63f3d6",227.83,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_17_ex_1_a_277c63f3d6.png","2023-12-01T10:16:54.955Z","2023-12-08T10:01:03.533Z",{"en-US":1396},"ipm2rlq3h2s50z53qndcurcd",[1416],{"id":1417,"nationality":471},1502,[],{"sortKey":1420,"id":258,"documentId":259,"names":260,"collectiveName":66,"annotation":66,"richText":1421,"locale":8,"images":1422,"nationalities":1445,"localizations":1448},"i","\u003Cp>Installation shot, Valeri Podoroga and Alexander Izaev. 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Photo © Manifesta 1 Rotterdam",{"xsmall":1428,"thumbnail":1433},{"ext":733,"url":1429,"hash":1430,"mime":736,"name":1431,"path":66,"size":1432,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_44_ex_1_a_f0665e107b.png","xsmall_A_M1_44_ex_1_a_f0665e107b","xsmall_A.M1.44.ex.1.a.png",104.52,{"ext":733,"url":1434,"hash":1435,"mime":736,"name":1436,"path":66,"size":1437,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_44_ex_1_a_f0665e107b.png","thumbnail_A_M1_44_ex_1_a_f0665e107b","thumbnail_A.M1.44.ex.1.a.png",65.38,"A_M1_44_ex_1_a_f0665e107b",164.78,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_44_ex_1_a_f0665e107b.png","2023-12-01T15:13:07.808Z","2023-12-01T15:14:25.128Z",{"en-US":1426},"cjqhutcgrjsgqalpdnvtwd8m",[1446],{"id":1447,"nationality":559},1546,[],{"sortKey":1420,"id":182,"documentId":183,"names":184,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":1450,"nationalities":1472,"localizations":1475},[1451],{"id":342,"name":1452,"alternativeText":66,"caption":1453,"width":729,"height":730,"formats":1454,"hash":1465,"ext":733,"mime":736,"size":1466,"url":1467,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1468,"updatedAt":1469,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1470,"documentId":1471,"publishedAt":755},"A.M1.69.ex.1.png","Installation view, Siraj Izhar. 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In a little car, furnished with four seats and a monitor, visitors could drive to other exhibitions in the museum. At the same time, they could become acquainted with the IRWIN members and with other travelling companions who had sent video-letters from the USA during Manifesta 1. \u003C\u002Fp>",[1479,1505,1526,1547],{"id":1480,"name":1481,"alternativeText":66,"caption":1482,"width":1483,"height":1484,"formats":1485,"hash":1498,"ext":733,"mime":736,"size":1499,"url":1500,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1501,"updatedAt":1502,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1503,"documentId":1504,"publishedAt":755},2001,"A.M1.22.ex.1.a.png","IRWIN, TRANSNACIONALA, Left, Right, Up, Down, 1996. Photo © Manifesta 1 \u002F Jannes Linders ",662,449,{"xsmall":1486,"thumbnail":1492},{"ext":733,"url":1487,"hash":1488,"mime":736,"name":1489,"path":66,"size":1490,"width":739,"height":1491},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_22_ex_1_a_fa65664b06.png","xsmall_A_M1_22_ex_1_a_fa65664b06","xsmall_A.M1.22.ex.1.a.png",143.51,203,{"ext":733,"url":1493,"hash":1494,"mime":736,"name":1495,"path":66,"size":1496,"width":1497,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_22_ex_1_a_fa65664b06.png","thumbnail_A_M1_22_ex_1_a_fa65664b06","thumbnail_A.M1.22.ex.1.a.png",86.1,230,"A_M1_22_ex_1_a_fa65664b06",176.69,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_22_ex_1_a_fa65664b06.png","2023-12-01T13:50:15.467Z","2023-12-01T13:50:54.733Z",{"en-US":1482},"dl0nuxblwf5zl0tqb5iil10g",{"id":1506,"name":1507,"alternativeText":66,"caption":1482,"width":943,"height":944,"formats":1508,"hash":1519,"ext":733,"mime":736,"size":1520,"url":1521,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1522,"updatedAt":1523,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1524,"documentId":1525,"publishedAt":755},2002,"A.M1.22.ex.3.png",{"xsmall":1509,"thumbnail":1514},{"ext":733,"url":1510,"hash":1511,"mime":736,"name":1512,"path":66,"size":1513,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_22_ex_3_b929c0856d.png","xsmall_A_M1_22_ex_3_b929c0856d","xsmall_A.M1.22.ex.3.png",160.49,{"ext":733,"url":1515,"hash":1516,"mime":736,"name":1517,"path":66,"size":1518,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_22_ex_3_b929c0856d.png","thumbnail_A_M1_22_ex_3_b929c0856d","thumbnail_A.M1.22.ex.3.png",98.35,"A_M1_22_ex_3_b929c0856d",260.16,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_22_ex_3_b929c0856d.png","2023-12-01T13:50:25.238Z","2023-12-01T13:51:02.268Z",{"en-US":1482},"kjveszqmydh7if66b08nhgci",{"id":1527,"name":1528,"alternativeText":66,"caption":1482,"width":943,"height":944,"formats":1529,"hash":1540,"ext":733,"mime":736,"size":1541,"url":1542,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1543,"updatedAt":1544,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1545,"documentId":1546,"publishedAt":755},2003,"A.M1.22.ex.2.png",{"xsmall":1530,"thumbnail":1535},{"ext":733,"url":1531,"hash":1532,"mime":736,"name":1533,"path":66,"size":1534,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_22_ex_2_3ef29349b4.png","xsmall_A_M1_22_ex_2_3ef29349b4","xsmall_A.M1.22.ex.2.png",145.96,{"ext":733,"url":1536,"hash":1537,"mime":736,"name":1538,"path":66,"size":1539,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_22_ex_2_3ef29349b4.png","thumbnail_A_M1_22_ex_2_3ef29349b4","thumbnail_A.M1.22.ex.2.png",89.74,"A_M1_22_ex_2_3ef29349b4",258.18,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_22_ex_2_3ef29349b4.png","2023-12-01T13:50:28.035Z","2023-12-01T13:51:07.971Z",{"en-US":1482},"agfo9g5atmqhl0u9hppe7wl8",{"id":338,"name":1548,"alternativeText":66,"caption":1482,"width":943,"height":944,"formats":1549,"hash":1560,"ext":733,"mime":736,"size":1561,"url":1562,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1563,"updatedAt":1564,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1565,"documentId":1566,"publishedAt":755},"A.M1.22.ex.4.png",{"xsmall":1550,"thumbnail":1555},{"ext":733,"url":1551,"hash":1552,"mime":736,"name":1553,"path":66,"size":1554,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_22_ex_4_4af257f290.png","xsmall_A_M1_22_ex_4_4af257f290","xsmall_A.M1.22.ex.4.png",156.13,{"ext":733,"url":1556,"hash":1557,"mime":736,"name":1558,"path":66,"size":1559,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_22_ex_4_4af257f290.png","thumbnail_A_M1_22_ex_4_4af257f290","thumbnail_A.M1.22.ex.4.png",96.31,"A_M1_22_ex_4_4af257f290",258.84,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_22_ex_4_4af257f290.png","2023-12-01T13:50:41.783Z","2023-12-01T13:51:13.344Z",{"en-US":1482},"qcai1lj2fonasv1mczoaat2n",[1568],{"id":1569,"nationality":641},1551,[],{"sortKey":1572,"id":362,"documentId":363,"names":364,"collectiveName":66,"annotation":66,"richText":1573,"locale":8,"images":1574,"nationalities":1618,"localizations":1621},"j","\u003Cp>Sculptures at Museumpark 9\u003Cbr>\u003Cbr>Inside the modernist villa opposite Boijmans van Beuningen, Korean-French artist Koo Jeong-a made a series of small modelled copies of the same villa from sugar cubes and wooden cigar boxes. Subject to decay due to the use of these fragile materials, the slow melting of the sugar cube sculptures became a metaphor for the historical neglect of modernist architecture.\u003C\u002Fp>",[1575,1597],{"id":1576,"name":1577,"alternativeText":66,"caption":1578,"width":729,"height":730,"formats":1579,"hash":1590,"ext":733,"mime":736,"size":1591,"url":1592,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1593,"updatedAt":1594,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1595,"documentId":1596,"publishedAt":755},2008,"A.M1.28.ex.4.a.png","Koo Jeong-a, Les Maisons Flottantes, 1996. Photo © Manifesta 1 \u002F Jannes Linders",{"xsmall":1580,"thumbnail":1585},{"ext":733,"url":1581,"hash":1582,"mime":736,"name":1583,"path":66,"size":1584,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_28_ex_4_a_379c3a0b75.png","xsmall_A_M1_28_ex_4_a_379c3a0b75","xsmall_A.M1.28.ex.4.a.png",136,{"ext":733,"url":1586,"hash":1587,"mime":736,"name":1588,"path":66,"size":1589,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_28_ex_4_a_379c3a0b75.png","thumbnail_A_M1_28_ex_4_a_379c3a0b75","thumbnail_A.M1.28.ex.4.a.png",83.69,"A_M1_28_ex_4_a_379c3a0b75",248.78,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_28_ex_4_a_379c3a0b75.png","2023-12-01T13:57:13.104Z","2023-12-01T13:57:29.827Z",{"en-US":1578},"rz7r3nqknfz11034a6kbn14w",{"id":1598,"name":1599,"alternativeText":66,"caption":1578,"width":729,"height":730,"formats":1600,"hash":1611,"ext":733,"mime":736,"size":1612,"url":1613,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1614,"updatedAt":1615,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1616,"documentId":1617,"publishedAt":755},2009,"A.M1.28.ex.3.a.png",{"xsmall":1601,"thumbnail":1606},{"ext":733,"url":1602,"hash":1603,"mime":736,"name":1604,"path":66,"size":1605,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_28_ex_3_a_21c7052546.png","xsmall_A_M1_28_ex_3_a_21c7052546","xsmall_A.M1.28.ex.3.a.png",151.73,{"ext":733,"url":1607,"hash":1608,"mime":736,"name":1609,"path":66,"size":1610,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_28_ex_3_a_21c7052546.png","thumbnail_A_M1_28_ex_3_a_21c7052546","thumbnail_A.M1.28.ex.3.a.png",93.64,"A_M1_28_ex_3_a_21c7052546",207.09,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_28_ex_3_a_21c7052546.png","2023-12-01T13:57:13.274Z","2023-12-01T13:57:33.589Z",{"en-US":1578},"xcuacr729xu1st8zo751cjqp",[1619],{"id":1620,"nationality":518},1559,[],{"sortKey":1572,"id":186,"documentId":187,"names":188,"collectiveName":66,"annotation":66,"richText":1623,"locale":8,"images":1624,"nationalities":1647,"localizations":1651},"\u003Cp>Wall painting at Kunstinstituut Melly - FKA Witte de With Center for Contemporary Art\u003C\u002Fp>\u003Cp>The Danish artist Henrik Plenge Jakobsen made a wall painting in the shape of a target, painted with primary colours. The statement “Everything is wrong” was placed across the circular target, a quotation from the album of the same name by American musician Moby. This wall painting provided a critical reflection on the political climate of the 1990s. In tandem, a small plane with a banner saying \"No future” flew above Rotterdam during the opening days of the exhibition, a quote from the chorus chant of the Sex Pistols' \u003Ci>God Save the Queen\u003C\u002Fi>.  \u003C\u002Fp>",[1625],{"id":1626,"name":1627,"alternativeText":66,"caption":1628,"width":729,"height":730,"formats":1629,"hash":1640,"ext":733,"mime":736,"size":1641,"url":1642,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1643,"updatedAt":1644,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1645,"documentId":1646,"publishedAt":755},2030,"A.M1.43.ex.1.png","Henrik Plenge Jakobsen, Everything is Wrong, 1996. Photo © Manifesta 1 \u002F Jannes Linders",{"xsmall":1630,"thumbnail":1635},{"ext":733,"url":1631,"hash":1632,"mime":736,"name":1633,"path":66,"size":1634,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_43_ex_1_1ff6917b14.png","xsmall_A_M1_43_ex_1_1ff6917b14","xsmall_A.M1.43.ex.1.png",117.62,{"ext":733,"url":1636,"hash":1637,"mime":736,"name":1638,"path":66,"size":1639,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_43_ex_1_1ff6917b14.png","thumbnail_A_M1_43_ex_1_1ff6917b14","thumbnail_A.M1.43.ex.1.png",74.61,"A_M1_43_ex_1_1ff6917b14",191.51,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_43_ex_1_1ff6917b14.png","2023-12-01T14:23:27.210Z","2023-12-01T14:23:38.959Z",{"en-US":1628},"fkx70jgz3gb6ijevuj4eh5vd",[1648],{"id":1649,"nationality":1650},1566,"DK",[],{"sortKey":1572,"id":354,"documentId":355,"names":356,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":1653,"localizations":1657},[1654],{"id":1655,"nationality":1656},1570,"MK",[],{"sortKey":1572,"id":190,"documentId":191,"names":192,"collectiveName":66,"annotation":66,"richText":1659,"locale":8,"images":1660,"nationalities":1683,"localizations":1687},"\u003Cp>Photographs at the Kunsthal Rotterdam\u003Cbr>\u003Cbr>The larger-than-life black and white photographs in Polish artist Piotr Jaros’ series \u003Ci>Embracing\u003C\u002Fi> showed people at once ordinary and extraordinary, in a tender relationship with each other, their sexual identity and position undefined. Their staged poses indicated a certain ceremonial purpose though this purpose was not explicit. \u003C\u002Fp>",[1661],{"id":1662,"name":1663,"alternativeText":66,"caption":1664,"width":729,"height":730,"formats":1665,"hash":1676,"ext":733,"mime":736,"size":1677,"url":1678,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":1679,"updatedAt":1680,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":1681,"documentId":1682,"publishedAt":755},2006,"A.M1.25.ex.1.png","Piotr Jaros, Urschleim, 1996. Photo © Manifesta 1 \u002F Jannes Linders",{"xsmall":1666,"thumbnail":1671},{"ext":733,"url":1667,"hash":1668,"mime":736,"name":1669,"path":66,"size":1670,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_25_ex_1_a0fd958966.png","xsmall_A_M1_25_ex_1_a0fd958966","xsmall_A.M1.25.ex.1.png",145.85,{"ext":733,"url":1672,"hash":1673,"mime":736,"name":1674,"path":66,"size":1675,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_25_ex_1_a0fd958966.png","thumbnail_A_M1_25_ex_1_a0fd958966","thumbnail_A.M1.25.ex.1.png",89.89,"A_M1_25_ex_1_a0fd958966",225.74,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_25_ex_1_a0fd958966.png","2023-12-01T13:54:26.340Z","2023-12-01T13:54:49.162Z",{"en-US":1664},"d1esd3fwrp2ua2nop6njd6c2",[1684],{"id":1685,"nationality":1686},1575,"PL",[],{"sortKey":1689,"id":202,"documentId":203,"names":204,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":1690,"localizations":1693},"k",[1691],{"id":1692,"nationality":96},1581,[],{"sortKey":1689,"id":198,"documentId":199,"names":200,"collectiveName":66,"annotation":66,"richText":1695,"locale":8,"images":1696,"nationalities":1740,"localizations":1744},"\u003Cp>Multimedia installation at the café of Museum Boijmans Van Beuningen. 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Finally, during the biennale, several excerpts of these conversations were sewn onto blankets. These blankets were later given to shelters for the homeless. \u003C\u002Fp>",[2022,2043,2064],{"id":2023,"name":2024,"alternativeText":66,"caption":2025,"width":729,"height":730,"formats":2026,"hash":2037,"ext":733,"mime":736,"size":863,"url":2038,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2039,"updatedAt":2040,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2041,"documentId":2042,"publishedAt":755},2022,"A.M1.34.ex.1.a.png","Tracey Mackenna, Chatting with the boys, 1996. 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She was concerned with the way in which one’s identity changes according to the landscape, and the degree to which identity is restricted to a particular place. She placed her tent in the gallery and opened it to the public as a visual materialisation of her mobile identity.\u003C\u002Fp>",[2097],{"id":2098,"name":2099,"alternativeText":66,"caption":2100,"width":729,"height":730,"formats":2101,"hash":2112,"ext":733,"mime":736,"size":2113,"url":2114,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2115,"updatedAt":2116,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2117,"documentId":2118,"publishedAt":755},2027,"A.M1.37.ex.1.a.png","Jenny Marketou, TRANSlocal, 1996. Photo © Manifesta 1 \u002F Jannes Linders",{"xsmall":2102,"thumbnail":2107},{"ext":733,"url":2103,"hash":2104,"mime":736,"name":2105,"path":66,"size":2106,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_37_ex_1_a_40f24ba5b6.png","xsmall_A_M1_37_ex_1_a_40f24ba5b6","xsmall_A.M1.37.ex.1.a.png",125.47,{"ext":733,"url":2108,"hash":2109,"mime":736,"name":2110,"path":66,"size":2111,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_37_ex_1_a_40f24ba5b6.png","thumbnail_A_M1_37_ex_1_a_40f24ba5b6","thumbnail_A.M1.37.ex.1.a.png",76.58,"A_M1_37_ex_1_a_40f24ba5b6",242.81,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_37_ex_1_a_40f24ba5b6.png","2023-12-01T14:19:42.904Z","2023-12-01T14:19:57.428Z",{"en-US":2100},"xtonkrxatx7qq8tuqugg93d4",[2120],{"id":2121,"nationality":2122},1725,"GR",[],{"sortKey":1968,"id":238,"documentId":239,"names":240,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":2125,"nationalities":2148,"localizations":2151},[2126],{"id":2127,"name":2128,"alternativeText":66,"caption":2129,"width":729,"height":730,"formats":2130,"hash":2141,"ext":733,"mime":736,"size":2142,"url":2143,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2144,"updatedAt":2145,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2146,"documentId":2147,"publishedAt":755},2028,"A.M1.38.ex.1.png","Installation view, Roger Meintjes. Photo © Manifesta 1 \u002F Jannes Linders",{"xsmall":2131,"thumbnail":2136},{"ext":733,"url":2132,"hash":2133,"mime":736,"name":2134,"path":66,"size":2135,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_38_ex_1_23f8034d22.png","xsmall_A_M1_38_ex_1_23f8034d22","xsmall_A.M1.38.ex.1.png",157.69,{"ext":733,"url":2137,"hash":2138,"mime":736,"name":2139,"path":66,"size":2140,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_38_ex_1_23f8034d22.png","thumbnail_A_M1_38_ex_1_23f8034d22","thumbnail_A.M1.38.ex.1.png",96.52,"A_M1_38_ex_1_23f8034d22",280.96,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_38_ex_1_23f8034d22.png","2023-12-01T14:20:58.014Z","2023-12-01T14:21:27.600Z",{"en-US":2129},"v43wj8sucxjbha8sbqzu3m63",[2149],{"id":2150,"nationality":1105},1727,[],{"sortKey":1968,"id":242,"documentId":243,"names":244,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":2153,"nationalities":2185,"localizations":2188},[2154],{"id":2155,"name":2156,"alternativeText":66,"caption":2157,"width":2158,"height":2159,"formats":2160,"hash":2178,"ext":733,"mime":736,"size":2179,"url":2180,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2181,"updatedAt":2182,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2183,"documentId":2184,"publishedAt":755},1973,"A.M1.39.ex.1.a.png","Installation view, Regina Möller. Photo © Manifesta 1 Rotterdam",1500,1000,{"small":2161,"xsmall":2167,"thumbnail":2172},{"ext":733,"url":2162,"hash":2163,"mime":736,"name":2164,"path":66,"size":2165,"width":880,"height":2166},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fsmall_A_M1_39_ex_1_a_5620ec6fe0.png","small_A_M1_39_ex_1_a_5620ec6fe0","small_A.M1.39.ex.1.a.png",1385.45,600,{"ext":733,"url":2168,"hash":2169,"mime":736,"name":2170,"path":66,"size":2171,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_39_ex_1_a_5620ec6fe0.png","xsmall_A_M1_39_ex_1_a_5620ec6fe0","xsmall_A.M1.39.ex.1.a.png",151.22,{"ext":733,"url":2173,"hash":2174,"mime":736,"name":2175,"path":66,"size":2176,"width":893,"height":2177},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_39_ex_1_a_5620ec6fe0.png","thumbnail_A_M1_39_ex_1_a_5620ec6fe0","thumbnail_A.M1.39.ex.1.a.png",2643.6,827,"A_M1_39_ex_1_a_5620ec6fe0",1004.43,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_39_ex_1_a_5620ec6fe0.png","2023-11-30T16:51:53.676Z","2023-12-01T14:21:53.757Z",{"en-US":2157},"u5btu2c7092lxc7drpvdfvj6",[2186],{"id":2187,"nationality":471},1733,[],{"sortKey":2190,"id":246,"documentId":247,"names":66,"collectiveName":248,"annotation":66,"richText":2191,"locale":8,"images":2192,"nationalities":2277,"localizations":2280},"n","\u003Cp>Programme at Zaal de Unie and Centrum Beeldende Kunst\u003C\u002Fp>\u003Cp>This temporary Rotterdam-based group NEsTWORK, formed for Manifesta, consisted of several artists, a philosopher and a journalist. Their work was an investigation into “the local, the belonging somewhere”, and their intention was to supply practical information and resources to visitors to the city and to create a link between international and local communities. For the period of the biennial they hosted a daily programme in Zaal de Unie and in the documentation centre at Centrum Beeldende Kunst Rotterdam, as well as other events. 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In this work, characterised by high frequency tones which came together between two parabolic reflectors, a powerful sonic environment was generated in order to immerse the visitor in both light waves and sound waves that are otherwise imperceptible. \u003C\u002Fp>",[2284],{"id":2285,"nationality":2017},1846,[],{"sortKey":2288,"id":250,"documentId":251,"names":252,"collectiveName":66,"annotation":66,"richText":723,"locale":8,"images":2289,"nationalities":2312,"localizations":2316},"o",[2290],{"id":2291,"name":2292,"alternativeText":66,"caption":2293,"width":730,"height":729,"formats":2294,"hash":2305,"ext":733,"mime":736,"size":2306,"url":2307,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2308,"updatedAt":2309,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2310,"documentId":2311,"publishedAt":755},1975,"A.M1.42.ex.1.a.png","Installation view, Roman Ondák. Photo © Manifesta 1 Rotterdam",{"xsmall":2295,"thumbnail":2300},{"ext":733,"url":2296,"hash":2297,"mime":736,"name":2298,"path":66,"size":2299,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_42_ex_1_a_0c0a4e7abc.png","xsmall_A_M1_42_ex_1_a_0c0a4e7abc","xsmall_A.M1.42.ex.1.a.png",138.51,{"ext":733,"url":2301,"hash":2302,"mime":736,"name":2303,"path":66,"size":2304,"width":384,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_42_ex_1_a_0c0a4e7abc.png","thumbnail_A_M1_42_ex_1_a_0c0a4e7abc","thumbnail_A.M1.42.ex.1.a.png",39.79,"A_M1_42_ex_1_a_0c0a4e7abc",214.56,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_42_ex_1_a_0c0a4e7abc.png","2023-11-30T16:56:43.528Z","2023-11-30T16:57:18.201Z",{"en-US":2293},"xem2hm37h8eqx6h3a3rntiq6",[2313],{"id":2314,"nationality":2315},1783,"SK",[],{"sortKey":2288,"id":130,"documentId":131,"names":132,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":2318,"localizations":2322},[2319],{"id":2320,"nationality":2321},1788,"IE",[],{"sortKey":2288,"id":278,"documentId":279,"names":280,"collectiveName":66,"annotation":66,"richText":2324,"locale":8,"images":66,"nationalities":2325,"localizations":2328},"\u003Cp>Tobias Rehberger, \u003Ci>Within view of seeing (perspectives and the Prouvé\u003C\u002Fi>, 1998 © Roman Mensing\u003Cbr>\u003Cbr>Boulevard Roosevelt\u003Cbr>\u003Cbr>Opposite the Luxembourg Casino, German artist Tobias Rehberger transformed a prominent platform into a flower garden. The rigid planting structure strongly contrasted the ephemeral character of the arrangements. Seen from above, the flower beds conveyed the idea of a painting and, by placing a bench in the arrangement, it offered visitors a place to rest. \u003C\u002Fp>",[2326],{"id":2327,"nationality":471},1847,[],{"sortKey":2330,"id":262,"documentId":263,"names":264,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":2331,"localizations":2334},"p",[2332],{"id":2333,"nationality":641},1799,[],{"sortKey":2330,"id":254,"documentId":255,"names":256,"collectiveName":66,"annotation":66,"richText":2336,"locale":8,"images":2337,"nationalities":2381,"localizations":2384},"\u003Cp>Sculpture at Rotterdam’s Natural History Museum  \u003C\u002Fp>\u003Cp>This sculpture by French Vietnamese artist Huang Yong Ping consisted of a model of Schiphol Airport which was to include live insects and other animals. However, animal protection organisations did not agree to this use of live creatures and the model, representing global mobility, had to remain empty at the biennale. The artist decided to include the ‘insect rights’ discussion in printed form, showing the correspondence between the animal rights groups, himself and Manifesta 1.  \u003C\u002Fp>",[2338,2360],{"id":2339,"name":2340,"alternativeText":66,"caption":2341,"width":943,"height":944,"formats":2342,"hash":2353,"ext":733,"mime":736,"size":2354,"url":2355,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2356,"updatedAt":2357,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2358,"documentId":2359,"publishedAt":755},1999,"A.M1.20.ex.1.a.png","Installation view, Huang Yong Ping, 1996. 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Photo © Manifesta 1 Rotterdam",{"small":2398,"xsmall":2403,"thumbnail":2408},{"ext":733,"url":2399,"hash":2400,"mime":736,"name":2401,"path":66,"size":2402,"width":2166,"height":880},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fsmall_A_M1_46_ex_2_a_a47530f9c7.png","small_A_M1_46_ex_2_a_a47530f9c7","small_A.M1.46.ex.2.a.png",1050.33,{"ext":733,"url":2404,"hash":2405,"mime":736,"name":2406,"path":66,"size":2407,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_46_ex_2_a_a47530f9c7.png","xsmall_A_M1_46_ex_2_a_a47530f9c7","xsmall_A.M1.46.ex.2.a.png",111.88,{"ext":733,"url":2409,"hash":2410,"mime":736,"name":2411,"path":66,"size":2412,"width":2177,"height":893},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_46_ex_2_a_a47530f9c7.png","thumbnail_A_M1_46_ex_2_a_a47530f9c7","thumbnail_A.M1.46.ex.2.a.png",2052.45,"A_M1_46_ex_2_a_a47530f9c7",887.56,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_46_ex_2_a_a47530f9c7.png","2023-12-01T15:17:26.273Z","2023-12-03T08:15:39.712Z",{"en-US":2396},"rbbgz1m8oe8pa7ndqrnqodw4",{"id":2421,"name":2422,"alternativeText":66,"caption":2396,"width":2423,"height":730,"formats":2424,"hash":2437,"ext":733,"mime":736,"size":2438,"url":2439,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2440,"updatedAt":2441,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2442,"documentId":2443,"publishedAt":755},2034,"A.M1.46.ex.1.a.png",747,{"xsmall":2425,"thumbnail":2431},{"ext":733,"url":2426,"hash":2427,"mime":736,"name":2428,"path":66,"size":2429,"width":739,"height":2430},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_46_ex_1_a_bb3b2fb0bc.png","xsmall_A_M1_46_ex_1_a_bb3b2fb0bc","xsmall_A.M1.46.ex.1.a.png",135.56,201,{"ext":733,"url":2432,"hash":2433,"mime":736,"name":2434,"path":66,"size":2435,"width":2436,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_46_ex_1_a_bb3b2fb0bc.png","thumbnail_A_M1_46_ex_1_a_bb3b2fb0bc","thumbnail_A.M1.46.ex.1.a.png",82.77,233,"A_M1_46_ex_1_a_bb3b2fb0bc",217.51,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_46_ex_1_a_bb3b2fb0bc.png","2023-12-01T15:17:11.719Z","2023-12-03T08:15:44.192Z",{"en-US":2396},"bgnbtszwpd8lye1ax4uhmyvc",[2445],{"id":2446,"nationality":96},1839,[],{"sortKey":2449,"id":274,"documentId":275,"names":276,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":2450,"localizations":2452},"q",[2451],{"id":286,"nationality":531},[],{"sortKey":2454,"id":282,"documentId":283,"names":284,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":66,"nationalities":2455,"localizations":2458},"r",[2456],{"id":2457,"nationality":2389},1908,[],{"sortKey":2460,"id":302,"documentId":303,"names":304,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":2461,"nationalities":2484,"localizations":2487},"s",[2462],{"id":2463,"name":2464,"alternativeText":66,"caption":2465,"width":730,"height":729,"formats":2466,"hash":2477,"ext":733,"mime":736,"size":2478,"url":2479,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2480,"updatedAt":2481,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2482,"documentId":2483,"publishedAt":755},2043,"A.M1.56.ex.1.png","Installation view, János Sugár. Photo © Manifesta 1 Rotterdam",{"xsmall":2467,"thumbnail":2472},{"ext":733,"url":2468,"hash":2469,"mime":736,"name":2470,"path":66,"size":2471,"width":740,"height":739},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_56_ex_1_45382742ca.png","xsmall_A_M1_56_ex_1_45382742ca","xsmall_A.M1.56.ex.1.png",108.5,{"ext":733,"url":2473,"hash":2474,"mime":736,"name":2475,"path":66,"size":2476,"width":384,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_56_ex_1_45382742ca.png","thumbnail_A_M1_56_ex_1_45382742ca","thumbnail_A.M1.56.ex.1.png",30.62,"A_M1_56_ex_1_45382742ca",200.83,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_56_ex_1_45382742ca.png","2023-12-03T08:28:05.996Z","2023-12-03T08:29:07.806Z",{"en-US":2465},"mahl8jousx1723o8lxg2azfd",[2485],{"id":2486,"nationality":1016},1962,[],{"sortKey":2460,"id":294,"documentId":295,"names":66,"collectiveName":296,"annotation":66,"richText":2489,"locale":8,"images":2490,"nationalities":2534,"localizations":2538},"\u003Cp>Installation at Kunsthal Rotterdam\u003C\u002Fp>\u003Cp>This Romanian group of artists subREAL constructed an ever-expanding “Art History Archive”, based on the history of Romania under communist dictator Nicolae Ceaușescu. \u003Ci>Datacorridor\u003C\u002Fi> was inspired by the architecture of the new Kunsthal building; the decline and incline of hallways were, from this perspective, analogous to the movements of the world in history. 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In the collection of De Vleeshal Middelburg, on a long-term loan to M HKA, Antwerp\u003C\u002Fp>\u003Cp>With the interdisciplinary installation, the Bulgarian artist imagined what would happen if he were to start to live as an ammonite, as a stuffed duck, as a rock crystal, as a snowflake, as the colour spectrum, as the material that the very floor (on which the visitor was standing) is covered with. He observed how “normally, everybody dreams to be “somebody else”,” and proposed that, who knows, with him as an ammonite, a stuffed duck, or a snowflake, he could establish a more suitable relationship with the society around him.\u003C\u002Fp>",[2542],{"id":2543,"name":2544,"alternativeText":66,"caption":2545,"width":729,"height":730,"formats":2546,"hash":2557,"ext":733,"mime":736,"size":2558,"url":2559,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2560,"updatedAt":2561,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2562,"documentId":2563,"publishedAt":755},2038,"A.M1.53.ex.1.png","Nedko Solakov, This is me, too …, 1996. 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Photo © Manifesta 1 Rotterdam.",{"xsmall":2675,"thumbnail":2680},{"ext":733,"url":2676,"hash":2677,"mime":736,"name":2678,"path":66,"size":2679,"width":739,"height":740},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fxsmall_A_M1_57_ex_1_dd4309b1be.png","xsmall_A_M1_57_ex_1_dd4309b1be","xsmall_A.M1.57.ex.1.png",138.83,{"ext":733,"url":2681,"hash":2682,"mime":736,"name":2683,"path":66,"size":2684,"width":746,"height":400},"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002Fthumbnail_A_M1_57_ex_1_dd4309b1be.png","thumbnail_A_M1_57_ex_1_dd4309b1be","thumbnail_A.M1.57.ex.1.png",86.91,"A_M1_57_ex_1_dd4309b1be",209.91,"https:\u002F\u002Fifm-bucket.ams3.cdn.digitaloceanspaces.com\u002FA_M1_57_ex_1_dd4309b1be.png","2023-12-03T08:29:51.618Z","2023-12-08T10:08:47.246Z",{"en-US":2673},"mcna2drlq6d7bqnievujykmu",[2693],{"id":1720,"nationality":842},[],{"sortKey":2621,"id":326,"documentId":327,"names":328,"collectiveName":66,"annotation":66,"richText":66,"locale":8,"images":2696,"nationalities":2761,"localizations":2765},[2697,2719,2740],{"id":2698,"name":2699,"alternativeText":66,"caption":2700,"width":729,"height":730,"formats":2701,"hash":2712,"ext":733,"mime":736,"size":2713,"url":2714,"previewUrl":66,"provider":750,"provider_metadata":66,"createdAt":2715,"updatedAt":2716,"hideFromHomepage":66,"objectFitContain":66,"localized_caption":2717,"documentId":2718,"publishedAt":755},2056,"A.M1.66.ex.3.a.png","Installation view, Uri Tzaig. 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