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",{"__component":906,"id":1256,"label":1257,"values":1258},176,"Business",[1259,1266,1273,1280,1287,1294,1301,1308,1315],{"id":1260,"label":1261,"values":1262},1333,"Business Manager ",[1263],{"id":1264,"value":1265,"url":66},2006,"George König   ",{"id":1267,"label":1268,"values":1269},1334,"Business Coordinator ",[1270],{"id":1271,"value":1272,"url":66},2007,"Sergey Kalabushkin   ",{"id":1274,"label":1275,"values":1276},1335,"Head of Office ",[1277],{"id":1278,"value":1279,"url":66},2008,"Tatiana Kornichenko   ",{"id":1281,"label":1282,"values":1283},1336,"Liaison Officer ",[1284],{"id":1285,"value":1286,"url":66},2009,"Diana Hillesheim   ",{"id":1288,"label":1289,"values":1290},1337,"Office Manager IFM \u002F Public Programs Officer ",[1291],{"id":1292,"value":1293,"url":66},2010,"Georgia Taperell   ",{"id":1295,"label":1296,"values":1297},1338,"Office Assistant IFM ",[1298],{"id":1299,"value":1300,"url":66},2011,"Tara Lasrado   ",{"id":1302,"label":1303,"values":1304},1339,"Assistant Liaison Officer ",[1305],{"id":1306,"value":1307,"url":66},2012,"Marjolein van der Loo   ",{"id":1309,"label":1310,"values":1311},1340,"Assistant Coordinator \u002F Volunteers coordinator ",[1312],{"id":1313,"value":1314,"url":66},2013,"Gavinskaya Ekaterina   ",{"id":1316,"label":1317,"values":1318},1341,"Office Assistant ",[1319],{"id":1320,"value":1321,"url":66},2014,"Paulina Lebedeva   ",{"__component":906,"id":1323,"label":1324,"values":1325},177,"Hospitality ",[1326,1333],{"id":1327,"label":1328,"values":1329},1342,"Head of Hospitality ",[1330],{"id":1331,"value":1332,"url":66},2015,"Alexandra Nikolaeva   ",{"id":1334,"label":1335,"values":1336},1343,"Hospitality Assistant ",[1337],{"id":1338,"value":1339,"url":66},2016,"Nadezhda Merzlikina   ",{"__component":671,"id":1341,"label":1342,"values":1343},1288,"Mediators",[1344,1347,1350,1353,1356,1359,1362,1365,1368,1371,1374,1377,1380,1383,1386,1389,1392,1395],{"id":1345,"value":1346,"url":66},1935,"Anastasia Bergart ",{"id":1348,"value":1349,"url":66},1936,"Filipp Dvornik",{"id":1351,"value":1352,"url":66},1937,"Svetlana Gorlatova ",{"id":1354,"value":1355,"url":66},1938,"Elizaveta Kaluzhskaya   ",{"id":1357,"value":1358,"url":66},1939,"Anna Kisliakova   ",{"id":1360,"value":1361,"url":66},1940,"Anastasia Kotchenko   ",{"id":1363,"value":1364,"url":66},1941,"Elena Kuleshova ",{"id":1366,"value":1367,"url":66},1942,"Lera Lerner   ",{"id":1369,"value":1370,"url":66},1943,"Elena Leskova   ",{"id":1372,"value":1373,"url":66},1944,"Alexander Malakhovskii   ",{"id":1375,"value":1376,"url":66},1945,"Alexandra Naumova ",{"id":1378,"value":1379,"url":66},1946,"Ekaterina Predko   ",{"id":1381,"value":1382,"url":66},1947,"Ksenia Remezova   ",{"id":1384,"value":1385,"url":66},1948,"Natalya Soboleva   ",{"id":1387,"value":1388,"url":66},1949,"Lyubov Soloveva ",{"id":1390,"value":1391,"url":66},1950,"Ekaterina Talanina   ",{"id":1393,"value":1394,"url":66},1951,"Anna Tolmacheva   ",{"id":1396,"value":1397,"url":66},1952,"Olga Tsyganova ",[1399,1415,1421,1441,1446,1457,1467,1479,1483,1495,1504,1513,1522,1532,1544,1550,1559,1572,1583,1591,1604,1613,1622,1632,1655,1660,1672,1681,1689,1694,1707,1719],{"sortKey":1400,"collectiveName":66,"names":401,"id":399,"documentId":400,"annotation":66,"richText":1401,"images":1402,"nationalities":1412},"a","\u003Cp>This video documented a long dreamed-of journey. The story began when the Belgian artist and his brother first began plotting to drive their Lada Kopelka to the USSR’s border. Their first attempt failed as the car broke down a few kilometres away from the East German border. Thirty years later, in 2014, the brothers were reunited and made another attempt, this time departing from Brussels for St. Petersburg. Upon arriving successfully in the Russian city, Francis Alÿs crashed the Lada Kopelka into a tree in the Winter Palace courtyard. This destruction of the automative symbol of communism provided an ending to the narrative.\u003C\u002Fp>",[1403,1406,1409],{"id":1404,"documentId":1405},1227,"nlx6zaj588uoip7u9i6gquw5",{"id":1407,"documentId":1408},1226,"asqzp1r5y7fady6mbrfizo1u",{"id":1410,"documentId":1411},1225,"sdjnmlpolrtwjl234m114qy1",[1413],{"id":1414,"nationality":288},1132,{"sortKey":1416,"collectiveName":66,"names":405,"id":403,"documentId":404,"annotation":66,"richText":1417,"images":66,"nationalities":1418},"b","\u003Cp>Guy Ben Ner, \u003Ci>Surplus Leisure\u003C\u002Fi>, 2014 © Manifesta 10 \u002F xxx\u003Cbr>\u003Cbr>Installation at Voronikhin Square Garden\u003Cbr>\u003Cbr>During Manifesta 10 the Israeli artist Guy Ben Ner erected a cabin in Kazanskaya Street to house his installation.  Exercise equipment from a nearby fitness studio generated electricity that powered the projection of a speech by Arnold Schwarzenegger on bodybuilding and the free market economy. The idea was that the installation, drawing on Marx’s concept of surplus labour, behaved like a parasite, deriving power from other people’s “labour time.”\u003C\u002Fp>",[1419],{"id":415,"nationality":1420},"IL",{"sortKey":1416,"collectiveName":66,"names":409,"id":407,"documentId":408,"annotation":66,"richText":1422,"images":1423,"nationalities":1438},"\u003Cp>Karla Black studied fine art and philosophy at the Glasgow School of Art between 1999 and 2004. After graduation she continued to live and work in Glasgow. Black is especially known as a sculptor, combining in her works different subjects from traditional art-making materials such as a paper, plaster, and chalk with such everyday objects and substances as cosmetic, toiletries, sugar, and cellophane. She works with different spaces, making a kind of abstract installation, sculptures that connect with Land Art and performance art.\u003C\u002Fp>",[1424,1427,1429,1432,1435],{"id":1425,"documentId":1426},1228,"a7dglwcwmb9efrsi4jxb5mmi",{"id":423,"documentId":1428},"g3kkoyi5y71dj00tk35zdw08",{"id":1430,"documentId":1431},1230,"cnixzrajxit8a02eh28fn4b0",{"id":1433,"documentId":1434},1231,"ewyqiuwcw0r0ectzhqd563eh",{"id":1436,"documentId":1437},1232,"qpye8vd5xtav5j2bcwdhfweo",[1439],{"id":1112,"nationality":1440},"GB",{"sortKey":1442,"collectiveName":66,"names":417,"id":415,"documentId":416,"annotation":66,"richText":1443,"images":66,"nationalities":1444},"c","\u003Cp>Jordi Colomer worked as a set designer before he became an artist and was educated as an architect and art historian, experiences that still influence his work today. Using props and treating land- and cityscapes as scenery, he creates “a kind of expanded theater,” in which the visitors are confronted with their own roles as participants or spectators. Through video works as well as sculptural and performative interventions, he deals with urbanity and social spaces.\u003C\u002Fp>",[1445],{"id":1146,"nationality":203},{"sortKey":1442,"collectiveName":66,"names":413,"id":411,"documentId":412,"annotation":66,"richText":1447,"images":1448,"nationalities":1455},"\u003Cp>Marc Camille Chaimowicz established himself as an artist who uses both performance and installation, sometimes combining the two. Since the 1970s he has used both “high art” and pop culture as sources. The objects in his installations include party items like disco balls, special lighting, and pop music, symbolically loaded elements like mirrors and flowers, and idiosyncratically designed furniture. Other works fit into more traditional categories of media: books, paintings, designs for wallpaper and fabric, and found objects presented on the gallery wall. Chaimowicz stood out from his contemporaries, who in the 1970s were still very much concerned with Conceptualism and Minimalism.\u003C\u002Fp>",[1449,1452],{"id":1450,"documentId":1451},1233,"s57bax25richn7c64c4npx1s",{"id":1453,"documentId":1454},1234,"xsinablnf85edgz1mvjq1y6n",[1456],{"id":1187,"nationality":233},{"sortKey":1458,"collectiveName":66,"names":421,"id":419,"documentId":420,"annotation":66,"richText":1459,"images":1460,"nationalities":1464},"d","\u003Cp>Josef Dabernig studied at the Vienna Academy of Art (1975–1981) and began making film works in 1994. The title of his first monograph is a testament to the breadth of media that his work has acquired: Dabernig Josef: Film, Foto, Text, Objekt, Bau (2005).\u003C\u002Fp>",[1461],{"id":1462,"documentId":1463},1763,"b253gpclvr7wuj70x18xo03w",[1465],{"id":1214,"nationality":1466},"AT",{"sortKey":1458,"collectiveName":66,"names":429,"id":427,"documentId":428,"annotation":66,"richText":1468,"images":1469,"nationalities":1476},"\u003Cp>Ink pencil and metallic acrylic on paper, 44 x 35 cm, presented at the Winter Palace\u003Cbr>\u003Cbr>The South African artiste presents for the first time 16 drawings of 'Great Men', her ongoing series on famous gay men who made major contributions to art and science, at Manifesta 10 in the Hermitage, St. Petersburg, Russia. As an answer to the anti-homosexual legislation taking place in Russia between 2013 and 2014, Marlene Dumas portraits series include Russian historical society representatives such as Eisenstein, that have made major contributions to the development of Russian culture.\u003C\u002Fp>",[1470,1473],{"id":1471,"documentId":1472},1468,"o7n8avuhpgvtrhe7xv6mqma7",{"id":1474,"documentId":1475},1467,"i382ux5qe1kan6ba270jztvy",[1477],{"id":443,"nationality":1478},"ZA",{"sortKey":1458,"collectiveName":66,"names":425,"id":423,"documentId":424,"annotation":66,"richText":1480,"images":66,"nationalities":1481},"\u003Cp>Rineke Dijkstra, \u003Ci>Marianna,\u003C\u002Fi> 2014 © Manifesta 10 \u002F xxx\u003Cbr>\u003Cbr>Video installation at General Staff Building\u003Cbr>\u003Cbr>In this video \u003Ci>Marianna (The Fairy Doll)\u003C\u002Fi>, the Dutch artist Rineke Dijkstra depicted a ten-year-old Russian classical ballet dancer, rehearsing moves and following the strict rules of the discipline.  As time passes by, she shows a spirit of rebellion, if only during brief moments, which gives the viewer pause to question concepts such as identity, discipline, competition and perfection.\u003C\u002Fp>",[1482],{"id":1281,"nationality":382},{"sortKey":1484,"collectiveName":66,"names":433,"id":431,"documentId":432,"annotation":66,"richText":66,"images":1485,"nationalities":1489},"e",[1486],{"id":1487,"documentId":1488},1235,"b63015o774zszclwnu4ig3pd",[1490,1492],{"id":1491,"nationality":233},1382,{"id":1493,"nationality":1494},1383,"US",{"sortKey":1496,"collectiveName":66,"names":441,"id":439,"documentId":440,"annotation":66,"richText":66,"images":1497,"nationalities":1501},"f",[1498],{"id":1499,"documentId":1500},1239,"m3mhywwd9gio516dt2yhgy0x",[1502],{"id":1503,"nationality":182},1440,{"sortKey":1496,"collectiveName":66,"names":437,"id":435,"documentId":436,"annotation":66,"richText":1505,"images":1506,"nationalities":1510},"\u003Cp>Sculpture installation at Winter Palace\u003C\u002Fp>\u003Cp>The Italian artist Lara Favaretto made an installation for the Hercules Room of the New Hermitage, a room that holds ancient Greek sculptures from the fourth century B.C. In this context her concrete shapes, produced at a factory close to St. Petersburg, created a bold and blunt contrast to the time-honoured traditional forms of sculpture and representations of the human body.\u003C\u002Fp>",[1507],{"id":1508,"documentId":1509},1236,"bfh0at277krttlznjt51q1xt",[1511],{"id":1512,"nationality":246},1436,{"sortKey":1514,"collectiveName":66,"names":445,"id":443,"documentId":444,"annotation":66,"richText":66,"images":1515,"nationalities":1519},"g",[1516],{"id":1517,"documentId":1518},1240,"yk520y022sizt1ncbwcg5473",[1520],{"id":1521,"nationality":233},1472,{"sortKey":1523,"collectiveName":66,"names":453,"id":451,"documentId":452,"annotation":66,"richText":1524,"images":1525,"nationalities":1529},"h","\u003Cp>Installation at the inner courtyard of the new General Staff Building\u003C\u002Fp>\u003Cp>Swiss artist Thomas Hirschhorn created a real-scale construction of a communal building block from communist times that collapsed. The model allowed the viewer to see the interiors of the communal apartments, which had historical furniture and works by revolutionary Russian constructivists such as Malevich. The meaning of the title, “ABSCHLAG” is that an important part of a whole has been cut off, opening up something that used to be hidden away and forgotten.\u003C\u002Fp>\u003Cp>This site-work made of tape, glued \u003Ci>papier-mâché\u003C\u002Fi> and other fragile materials was created by 15 students who were in residence at the new General Staff Building for a period of six weeks.\u003C\u002Fp>",[1526],{"id":1527,"documentId":1528},1243,"p00uuzue3b33yltqceiw30w2",[1530],{"id":1531,"nationality":260},1638,{"sortKey":1533,"collectiveName":66,"names":449,"id":447,"documentId":448,"annotation":66,"richText":66,"images":1534,"nationalities":1541},"j",[1535,1538],{"id":1536,"documentId":1537},1241,"fe919i2tgacya2xq2c0g59th",{"id":1539,"documentId":1540},1242,"ij9039pvpy40it8bso34mr61",[1542],{"id":1543,"nationality":288},1558,{"sortKey":1545,"collectiveName":66,"names":457,"id":455,"documentId":456,"annotation":66,"richText":1546,"images":66,"nationalities":1547},"k","\u003Cp>Elena Kovylina, \u003Ci>Equality\u003C\u002Fi>, 2014 © Manifesta 10\u003Cbr>\u003Cbr>Performance and video installation at Palace Square and General Staff Building\u003Cbr>\u003Cbr>Russian artist Elena Kovylina staged this performance in the Palace Square. It consisted of a line of people, many of them members of the M10 Russian team, standing on stools of different heights to make it look as if they were of the same stature. This work  constituted a criticism of modern democratic society which entrenches social inequality. During the biennial, a video of the performance was shown in the General Staff Building. \u003C\u002Fp>",[1548],{"id":1549,"nationality":274},1607,{"sortKey":1551,"collectiveName":66,"names":465,"id":463,"documentId":464,"annotation":66,"richText":1552,"images":1553,"nationalities":1556},"l","\u003Cp>Mixed media installation at the General Staff Building\u003C\u002Fp>\u003Cp>Dutch artist Erik van Lieshout decided to take up quarters for three months in the basement of the Hermitage Winter Palace which is famously occupied by a large community of cats. They have been part of the life of the museum for more than 200 years ever since Empress Elizabeth of Russia first brought cats in to fight an infestation of mice in the eighteenth century. The artist depicted them in drawings and photographs which were included in his installation, together with a video documenting a process he undertook to renovate and upgrade the cats’ living conditions.\u003C\u002Fp>",[1554],{"id":427,"documentId":1555},"a3agbcasp8ohw2g1gmtarepj",[1557],{"id":1558,"nationality":382},1649,{"sortKey":1551,"collectiveName":66,"names":461,"id":459,"documentId":460,"annotation":66,"richText":1560,"images":1561,"nationalities":1568},"\u003Cp>Video installation at General Staff Building\u003C\u002Fp>\u003Cp>This installation by Swedish artist Klara Lidén consisted of benches made of cardboard boxes and paper, together with a video on a screen held by a cardboard structure. The video \u003Ci>Warm Up: Hermitage State Theater \u003C\u002Fi>documenteda dance lesson that the artist took part in with the St. Petersburg State Ballet in the Hermitage theater. It showed her trying with difficulty to keep up with the rehearsed choreography of the ballet dancers.\u003C\u002Fp>",[1562,1565],{"id":1563,"documentId":1564},1244,"fs2hhrrqc38gv4xu48vx77fd",{"id":1566,"documentId":1567},1245,"qyucav5v8avj2exv457u9cs9",[1569],{"id":1570,"nationality":1571},1671,"SE",{"sortKey":1573,"collectiveName":66,"names":469,"id":467,"documentId":468,"annotation":66,"richText":1574,"images":1575,"nationalities":1579},"m","\u003Cp>Photographs at General Staff building\u003C\u002Fp>\u003Cp>Late in December 2013, during a wave of demonstrations and civil unrest in Ukraine, people came to Maidan Nezalezhnosti, the central square in Kiev, and pitched their tents. Ukranian artist Boris Mikhailov made a series of photographs recording life in the protestors’ camps as well as a series of large-format photo collages with panoramic views of the square that recalled the canvases made by Russian realist painters in the late nineteenth century.\u003C\u002Fp>",[1576],{"id":1577,"documentId":1578},1247,"rpo8qrngkadif8o384opp01z",[1580],{"id":1581,"nationality":1582},1698,"UA",{"sortKey":1573,"collectiveName":66,"names":477,"id":475,"documentId":476,"annotation":66,"richText":66,"images":1584,"nationalities":1588},[1585],{"id":1586,"documentId":1587},1250,"n8bx2a6dz5vbh2u5vlvwum1e",[1589],{"id":1590,"nationality":260},1699,{"sortKey":1573,"collectiveName":66,"names":473,"id":471,"documentId":472,"annotation":66,"richText":1592,"images":1593,"nationalities":1600},"\u003Cp>Photographs at General Staff Building\u003C\u002Fp>\u003Cp>This project was inspired by the Soviet artist Vera Miliutina and Vasily Kuchumov’s drawings of the Hermitage during the siege in the Second World War. Japanese artist Yasumasa Morimura photographed the halls using the same angles that Miliutina and Kuchumov had used in their drawings. These photographs united  two visual elements: the present-day views of the museum halls and the images depicting their state during the siege. During the biennial Morimura’s photographs were displayed in the same halls.\u003C\u002Fp>",[1594,1597],{"id":1595,"documentId":1596},1248,"ijue91rqd4hiot9cr850cxcd",{"id":1598,"documentId":1599},1249,"iqmgvzhl3n7zjf02fr8s0trg",[1601],{"id":1602,"nationality":1603},1674,"JP",{"sortKey":1605,"collectiveName":66,"names":481,"id":479,"documentId":480,"annotation":66,"richText":66,"images":1606,"nationalities":1610},"n",[1607],{"id":1608,"documentId":1609},1251,"a7pyl9l81szydbvonchflllc",[1611],{"id":1612,"nationality":1494},1773,{"sortKey":1605,"collectiveName":66,"names":485,"id":483,"documentId":484,"annotation":66,"richText":1614,"images":1615,"nationalities":1619},"\u003Cp>Installation at the Winter Palace\u003C\u002Fp>\u003Cp>The Japanese artist, Tatzu Nishi has constructed a temporary, but well-furnished living room out of wood around a chandelier in one of the rooms in the Winter Palace. The chandelier was surrounded by walls, a ceiling and floor which were brought from an abandoned house to be demolished in St. Petersburg. The visitor could climb upstairs and enter the living room through the hallway, thus getting a feeling of a home within a museum. The artist described the viewers’ experience: “Seeing artworks they had never experienced before enables the audience to re-realise or discover essences of daily life that had become too familiar to notice, allowing them to distance themselves from their ingrained ways of thinking and encouraging them to perceive things more actively and freely.”\u003C\u002Fp>",[1616],{"id":1617,"documentId":1618},1252,"b011mha8jcip8nknxvn7z4ua",[1620],{"id":1621,"nationality":1603},1757,{"sortKey":1623,"collectiveName":66,"names":489,"id":487,"documentId":488,"annotation":66,"richText":66,"images":1624,"nationalities":1628},"o",[1625],{"id":1626,"documentId":1627},1253,"d69g2bflo9rqkdut06ulpcyi",[1629],{"id":1630,"nationality":1631},1794,"DK",{"sortKey":1633,"collectiveName":66,"names":501,"id":499,"documentId":500,"annotation":66,"richText":1634,"images":1635,"nationalities":1651},"p","\u003Cp>Intervention in public space\u003C\u002Fp>\u003Cp>This project challenged the politics of remembrance and the ontology of city monuments. Romanian artist Alexandra Pirici created sculptural performances in St. Petersburg echoing and responding to the statues of the Bronze Horseman, Catherine the Great and Lenin. These performances aimed to recontextualise and disarm the silent and stark monumentality of the statues and their embedded historical readings.\u003C\u002Fp>",[1636,1639,1642,1645,1648],{"id":1637,"documentId":1638},1257,"ix7uy6ue0pb3731j70ko75pp",{"id":1640,"documentId":1641},1258,"kjapzia2vxyscup0r0ew5vxu",{"id":1643,"documentId":1644},1259,"hds6dp3pto1kzk3wi9c2cqge",{"id":1646,"documentId":1647},1260,"g03avxbxdlnmli2bh4q76tf9",{"id":1649,"documentId":1650},1261,"c53d0t7gankwujlhyuaykleq",[1652],{"id":1653,"nationality":1654},1844,"RO",{"sortKey":1633,"collectiveName":66,"names":505,"id":503,"documentId":504,"annotation":66,"richText":1656,"images":66,"nationalities":1657},"\u003Cp>Paola Pivi, \u003Ci>Grrr Jamming Squeak\u003C\u002Fi>, 2014\u003Cbr>\u003Cbr>Recording studio manned by a host and a sound engineer, 100 one-hour-long, royalty-free recordings of 100 different animals, \u003Ci>c.\u003C\u002Fi>20 musical instruments, listening lounge\u003Cbr>\u003Cbr>This installation serves as a fully functional professional recording studio, open and free to everyone. The work is governed by only one rule: people who use the studio must use at least one animal sound withintheir recording. The studio, manned by a host and sound engineer, offers 100 one-hour-long royalty-free recordings of 100 different animals, provided by the Macaulay Library at The Cornell Lab of Ornithology, Ithaca, New York, as well as over 20 musical instruments to create, compose, play, jam, record or make music incorporating at least one animal sound. The space also has a lounge area to listen to the newly produced recordings and animal sound library, kindly furnished by Moroso and Flos, for the seatings and lamps respectively. The portraits of animals displayed were kindly offered by photographer Vincent J. Musi, they belonged to his series 'Animal Minds', published by National Geographic Magazine in 2008.\u003C\u002Fp>",[1658],{"id":1659,"nationality":246},1801,{"sortKey":1633,"collectiveName":66,"names":493,"id":491,"documentId":492,"annotation":66,"richText":1661,"images":1662,"nationalities":1669},"\u003Cp>Mural at General Staff Building\u003C\u002Fp>\u003Cp>Russian artist Pavel Pepperstein’s works are collages of popular cultural imagery and critical commentary, drawing on the traditions of surrealism, suprematism, oriental watercolours, pop art, book illustrations, and political caricature. For Manifesta 10 he created an extensive mural that combined elements of pop art with the typical Russian symbol of the Matryoshka doll.\u003C\u002Fp>",[1663,1666],{"id":1664,"documentId":1665},1254,"h0qoy3eb6ph4tv8c334p9yqm",{"id":1667,"documentId":1668},1255,"m8rsrag00nzg3co1ydlcl3d7",[1670],{"id":1671,"nationality":274},1824,{"sortKey":1633,"collectiveName":66,"names":497,"id":495,"documentId":496,"annotation":66,"richText":1673,"images":1674,"nationalities":1678},"\u003Cp>Sound installation at Winter Palace\u003C\u002Fp>\u003Cp>Scottish artist Susan Philipsz’s sonic installation was based on James Joyce’s novel \u003Ci>Finnegans Wake\u003C\u002Fi>. In 1929 Joyce was recorded reading an excerpt from the chapter “Anna Livia Plurabelle”. This recording was reinterpreted as a musical composition by Hazel Felman. \u003Ci>The River Cycle (Neva) \u003C\u002Fi>was inspired by the terrible floods that took place in St Petersburg in the 18\u003Csup>th\u003C\u002Fsup> and 19\u003Csup>th\u003C\u002Fsup> centuries. Philipsz recorded each note of Felman’s score separately, creating a twelve-channel piano recording.  This was installed in the main staircase of the Winter Palace, one of the grandest settings in the Hermitage.\u003C\u002Fp>",[1675],{"id":1676,"documentId":1677},1256,"zg9rdcncv35ppkrbiz9wzk9i",[1679],{"id":1680,"nationality":1440},1831,{"sortKey":1682,"collectiveName":66,"names":509,"id":507,"documentId":508,"annotation":66,"richText":66,"images":1683,"nationalities":1687},"r",[1684],{"id":1685,"documentId":1686},1262,"xe0a1vpxtkxrmy3i98edcoiz",[1688],{"id":519,"nationality":182},{"sortKey":1690,"collectiveName":66,"names":513,"id":511,"documentId":512,"annotation":66,"richText":66,"images":66,"nationalities":1691},"s",[1692],{"id":1137,"nationality":1693},"EG",{"sortKey":1695,"collectiveName":66,"names":521,"id":519,"documentId":520,"annotation":66,"richText":1696,"images":1697,"nationalities":1704},"t","\u003Cp>Installation at General Staff Building\u003C\u002Fp>\u003Cp>This minimalist installation by Belgian artist Joëlle Tuerlinckx accompanied a text in which she described her vision of art, originally published in \u003Ci>Border Notes\u003C\u002Fi> for Manifesta 3. In that text she compared art to a rope tied in a knot and laid on a table. This image, articulated fourteen years previously, acquired form as a real object in this edition of the biennial.\u003C\u002Fp>",[1698,1701],{"id":1699,"documentId":1700},1265,"k54sy98mw67hx4t9fmj7eb3c",{"id":1702,"documentId":1703},1266,"mo8bpg1tfmiyywndxwnxrw65",[1705],{"id":1706,"nationality":288},2060,{"sortKey":1695,"collectiveName":66,"names":517,"id":515,"documentId":516,"annotation":66,"richText":1708,"images":1709,"nationalities":1716},"\u003Cp>Photo installation at General Staff Building\u003C\u002Fp>\u003Cp>For Manifesta 10, German artist Wolfang Tillmans installed photographs taken during his four trips to Moscow and St. Petersburg between 1999 and 2014, interspersed with examples of his abstract works.\u003C\u002Fp>",[1710,1713],{"id":1711,"documentId":1712},1263,"iw3gtqca8b7mpdkoc1mjhhpc",{"id":1714,"documentId":1715},1264,"y6qe2b8bfypstw7fv266iyct",[1717],{"id":1718,"nationality":182},2071,{"sortKey":1720,"collectiveName":66,"names":525,"id":523,"documentId":524,"annotation":66,"richText":1721,"images":1722,"nationalities":1729},"z","\u003Cp>In two interconnected rooms Austrian artist Otto Zitko made a series of linear wall paintings that surrounded the visitors and gave them the sense of being inside the work. Although the work was two dimensional, it created a sense of depth and dynamic movement in all directions. The principle behind the abstract linear painting seemed simplebut it led to endless variations, impressions and effects.\u003C\u002Fp>",[1723,1726],{"id":1724,"documentId":1725},1267,"re4l8mflwi4boj9qjngo6o96",{"id":1727,"documentId":1728},1268,"w3rfegy7mbz5dtb7w5cg0nsi",[1730],{"id":1731,"nationality":1466},2162,[],{"data":1734,"meta":1735},[],{"pagination":1736},{"page":86,"pageSize":86,"pageCount":1737,"total":1737},0,{"data":1739,"meta":1749},[1740],{"id":1741,"documentId":1742,"title":1743,"locale":8,"publicationCategory":1744,"localizations":1748},64,"d04b905gj94tjucne55hkycw","Manifesta 10 Final Report",{"id":119,"documentId":1745,"title":1746,"titlePlural":1747},"xjouupyct4po9ve8nwfj8v9n","Final Report","Final Reports",[],{"pagination":1750},{"page":86,"pageSize":86,"pageCount":86,"total":86},{"data":1752,"meta":1753},[],{"pagination":1754},{"page":86,"pageSize":86,"pageCount":1737,"total":1737}]