Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
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Amelie von Wulffen, DE
Amelie von Wulffen, Untitled, 2004 © Manifesta 5.
Drawings exhibited at Museo San Telmo
Through the fusion of disparate motifs such as private anecdotes, family vicissitudes, Renaissance landscapes, and 1970s idols as diverse as John Travolta and Aleksandr Solzhenitsyn, German artist Amelie von Wulffen aimed to simulate the mechanisms of memory, in which both the private and the public emerge.