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Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Slovak artist Boris Ondreicka’s work was shown in a basement room of the C.P.C.A, which remained almost unaltered. In his installation he combined disparate elements from a story and the media. It was virtually impossible to interpret and connect the pieces in the room, which provided a reflection on the fragmented presence of reality in the media.