Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
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Pamela Rosenkranz, CH
Pamela Rosenkranz, Uncontent, 2008 © Manifesta 7/Wolfgang Träger.
Installation at Manifattura Tabacchi in Rovereto
The installation contained objects arranged in a circle of mirrors divided into four sections that represented the four sections of a clock. The mirror surfaces cut the objects in half and completed them again through self-reflecting. The reflections produced an infinite space where outside and inside became indistinguishable. Swiss artist Pamela Rosenkranz challenged simultaneity and anticipation while questioning the homogeneity and coherence of spatial agency.