Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Susann Walder, Zombie Transit, 1992 - 1996 © Manifesta 1/Jannes Linders
Installation at Kunstinstituut Melly - FKA Witte de With Center for Contemporary Art
The Swiss artist Susann Walder filled a space with an overwhelming assortment of brightly-coloured found objects. The room was a reconstruction of the artist’s memories of the underground scene of the City of Zurich as it was in the 1990s, in the run-down area around the city’s train station, before gentrification and redevelopment washed away that community's history and culture.