Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
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Bojan Šarčević, FR
Bojan Šarčević, Untitled, 1998. Photo © Roman Mensing / Manifesta 2.
Installation at Musée national d'histoire et d'art
French Bosnian artist Bojan Šarčević deliberately chose to work in a room of the museum that was not used as an exhibition space. He introduced several minimal interventions that completely changed the room: a false wall and ceiling and painted walls, which modified the room’s volume and color. He then filled all the cracks of the room with toilet paper, sealing it.